“In the Pink of Life” Quilt

NOTE: This post is from an article I wrote for Creative Needle magazine some time ago. Made for my daughter Rebecca, this is one of my favorite projects.

French ribbon, Swiss basket embroidery, Grannie-made tatting

Heirloom Sewing Goods and Techniques~~~Long identified as the preeminent tone of femininity, pink is often the color of the daygown, embroidery, hair ribbons and other loving embellishments in a girl’s life. The pieces used for the crazy patch squares in this quilt include pink remembrances of my daughter, Rebecca, as well as other gourmet leftovers from earlier projects.

Chinese tatted medallion, pink lace tape, silk rosebud, antique lace

The pink damask napkins represent adulthood–the pleasures and responsibilities of hospitality, graciousness and family celebrations.

antique lace, Swiss butterfly, drawn thread napkin lined with pink batiste

The quilt shows extensive lace-to-lace joining, tucks and other techniques long-practiced by heirloom stitchers. Bits of leftover handlooms and embroideries from baby dresses, lengths of tatting from Easter dresses, pieces of a fancyband of champagne laces and pink lace tape used in a pillow, and salvaged pieces from Grandmother’s cutwork tablecloth are joined in crazy patch harmony, much like crazy patches of memory. The resulting patchwork creation is of a very different genre than the countrified bed coverings shown in living color in quilt magazines.

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Treasure (Bug) Bag

“A treasure to a little boy does not consist of money, gems or jewelry.  He will find far greater pleasure in the wonder of a rock, pebble, stick or beetle.”  Author Unknown

Robert, 5, with his first bug bag

Robert, 5, with his first bug bag

I’ve always referred to this as a bug bag, but after reading this statement, I am renaming it a treasure bag. Boys and bugs go together like peanut butter and jelly, and many a peanut butter jar has been called into service as a bug container. But this version is better.

Made of regular fiberglass screen from the hardware store, the basic teepee bag style makes a very unique and wonderful gift for any boy and most girls. My two older grandchildren, Robert and Laurel, each have at least two of these bags because, according to them, they needed them! When pressed for an explanation of why a child might need more than one bug bag, I was informed that bug hunting with a friend is much more fun and each would need a separate bag. And what if they caught so many bugs that the bag were filled to capacity? There were more reasons, some more logical than others, but of course, I made two for each child.

 

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Of course, this bag could be a simple container made from screen but it is so much fun to embellish it with machine embroidery. The bag Robert holds is embroidered with several bugs, including a column of marching ants and a ladybug. Continue reading

AEsop’s Fable Quillow

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Quillows have been featured in previous posts, but most were of polar fleece. I find quillow projects to be universally useful and always fun to make.

Recently, while plundering through my Liberty of London scraps, I was reminded of this little quillow.   It is currently  among the missing and presumed to be residing in the depths of one of my grandchildren’s dressers.  An all-points-bulletin has been issued and I hope soon to have news of its whereabouts.

 

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Some time ago, it was featured in an article I wrote for Creative Needle magazine.  All of the photos and parts of that article are included in this post.

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A uniquely contemporary version of the Great American Quilt, a quillow is a small quilt which folds up into its own pocket to create a pillow. One of simple design, such as a whole cloth with no piecing, can be made in as little as three hours.

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April Showers

 

UPDATE:  While perusing my antique needlework magazines, I came across an article about embroidered parasols.  Does anyone know of a pattern or source for the hardware?  See article below.

I think this is so neat.  Judy Day monogrammed this umbrella for her granddaughter.  Whether or not she is the first to do this I can’t say, but I have never heard of it.  Continue reading

Mighty Oaks

Ryan's tree, planted in 1974

Just like the saying, “Mighty oaks from little acorns grow,” Bob and I had an idea 36 years ago that has grown mightier than we ever imagined.

Shortly after receiving confirmation that our son, Ryan, would be born in 7 months, we planted a tiny oak tree in what later became the goat yard.  The seedling was free from the Agricultural Extension Service and came in a 1 gallon pot.  We knew it would grow tall and strong, just as we prayed our son would.  He did and so did the tree.

Four years later, for all the same reasons, we planted another oak for our newborn daughter Rebecca. This tree planting had become a family tradition.

When Ryan’s first child, Laurel, was born, we continued the custom, but with a new twist.  Long since in disuse, the goat yard had been reclaimed by Mother Nature.  Ryan’s 60′ oak had showered the ground with acorns, many of which had germinated into nice little saplings.  We dug one up an it became Laurel’s tree.  Coincidentally, it is a laurel oak. 

Laurel, 2, with her tree, planted in 2004

And so we continued, with Robert and most recently, Alastair.  At planting, his tree is considerably smaller than his cousins’ had been, but ultimately it didn’t matter.

Rebecca, Alastair, Harvey and with Alastair's oak #1, 2009

It was our intention to take a picture of the children on their birthdays, wearing the birthday outfit I had made.  But one thing and another got in the way so we just took the pictures as close to their birthdays as possible, wearing whatever.

Robert, 3, with his tree planted in 2005

For Robert’s third birthday, one of his gifts was a raincoat.  He loved it and refused to take it off when it was picture taking time.  Oh well.

The children take great pride in their trees, checking regularly on the size and comparing it to pictures of earlier birthdays.

The story of Rebecca and Alastair’s trees differs greatly from Ryan’s, though they both, so far, have a happy ending.

When Rebecca was about 8, a large pine fell on her tree, totally destroying it.  We replaced her OakR (for Rebecca) #1 with OakR #2 but a few years later a similar disaster occurred.  OakR#2 would never provide shade or acorns.

Rebecca's 3rd tree, thriving and almost stately

Because Rebecca was so sad after her second tree died we planted two replacement trees, OakR #3 and OakR #4, just for a measure of insurance.  Like Rebecca, they both have thrived, but at the time of Alastair’s birth, we could find no obvious seedlings.   So Alastair’s OakA #1 was dug from under Ryan’s tree.

Ironically, while mowing with his tractor, Bob overlooked  Alastair’s wee OakA#1 and cut it flat to the ground.  Then OakA #2 was planted, but it just plain died.  So that’s two dead trees for Alastair, just like his mother.

Recently, I found a nice little sapling for Alastair, growing in the plumbago hedge, a short distance from Rebecca’s OakR#4.  It has been designated OakA#3 and by virtue of its location will not be mowed down.    Having come from the “mother tree” and having chosen its own location, it is expect to grow tall and strong, just like Rebecca has and Alastair will.

Rebecca’s next child will get a dogwood, or perhaps a pine.

Strawberry Sundress

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With the sweet spring weather we have had these past few weeks, I have had sundresses on my mind.  I came across pictures of this little sundress that I made for Laurel the summer that she was two.

Many such sundresses had been made for my daughter Rebecca from that age on, from a pattern that my friend Mary Hale Hoffmann and I made up.  Smocking this garment brought back sweet memories of those days.

Our daughters were the same age and we smocked around the clock for them.  This pattern was so easy and economical that our girls wore them like school uniforms.

We used the armhole curve from Katina, a Children’s Corner sundress pattern with a narrow yoke.  We added the width of the yoke to the armhole curve and voila’ we were in business!

 

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Aunt Rheeta’s Communion Cloth

The linen is white, but the lighting was so poor that I had to edit the picture to show details.

 

 

Very few sewing projects have given me as much pleasure and satisfaction as this one. Made 2 years ago, in collaboration with my dear aunt, Rheeta Booth, for her church, this set of liturgical linens includes an altar cloth (cover) and communion veil which covers the elements before communion is served.

 

 

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Aunt Rheeta was so excited about this project. The exquisite Swiss liturgical lace had been purchased several years before, from Farmhouse Fabrics.    At the time, I had no specific plan but felt certain this exceptional lace it would fill a very special need.

 

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Several years ago, when Aunt Rheeta returned from Russia, where she had served as a missionary, she brought with her a lovely hand embroidered cloth. She donated it to her very small church for use as a communion cloth, but through the years, it had become worn.

During her visit two years ago, we were plundering in the sewing room when I happened upon the lace. The light in her eyes told me it had found its purpose.

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Even-Steven

Now this is a terrific modern project for an old fashioned Nana. Finding something to make for older boys is a real challenge, but these quick and easy, low maintenance pajamas are just the thing for any guys who no longer wear sleepers.  And that includes men.

Judy Day made this sleep set for her 8 year old grandson. His name is not Steven, but this was made to keep things even.  She loves heirloom sewing and smocking for his prissy little sister, but she always includes something special for Jackson. These were in his Easter package.

 

She simply purchased a pair of knit shorts and a tee shirt in colors to match the alma mater of Jackson’s maternal grandfather.  Since the boy already has more University of Tennessee Volunteers gear than most of the football team, he requested some Georgia Tech attire. I guess Judy didn’t want him going out in public in anything but UT duds.  Jackson loves them.

With our Robert now almost 5, I know it’s time for me to be looking ahead for masculine things to make. He, too, has a prissy sister and I don’t want him to feel slighted.  Of course, to his way of thinking, he’s got the better deal when he gets an embroidered Spiderman tee shirt and Laurel gets an heirloom sewn Swiss batiste dress. But the next time I make her a garment, I think he will get some Florida Gator pajamas, just to keep things even-steven.

Thanks for the inspiration, Judy!

Cherries Jubilee

We are still enjoying a little spring weather here in Central Florida. But with temperatures in the mid 80’s, summer clothes are now standard attire.

Laurel loves her new swing dress which twirls nicely to the great satisfaction of this almost 6 year old. Lydia from Bonnie Blue Designs is a delightful pattern, quick and easy, and even includes a view with smocking. This small area for the center front is suitable for a single picture smocking motif or a simple geometric pattern, all in keeping with the ease of construction.

It can be lined and turned, leaving no more than 3″ of handwork. However, given our sub-tropical climate, I prefer to line only the bodice and put in a shirttail hem. Continue reading

Alice Camisole

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BACKGROUND:  The tatted yoke on this camisole is at least 90 years old.  What a testimony to the sturdy fruit of the shuttle!  I had sentimental reasons for my appreciation of this yoke (detailed below in HISTORY) and made a camisole for my daughter.  Miss Alice, the previous owner, was especially fond of my children and they grew up knowing her as an exemplary model of Christian womanhood.  In 1996, this garment was featured in my series entitled  Antique Textiles in Creative Needle magazine.

CONSTRUCTION TECHNIQUE: The project was a challenge.  I needed a way to attach the yoke to the gathered fabric without detracting from the intricacy of the tatting pattern.  Commercial entredeux just seemed too new and joining it to the gathered fabric would be bulkier than desired.  Also, white entredeux was too bright and ecru was too dark.  Machine made entredeux was the perfect solution but just how to do that on a diagonal line across the gathered straight of grain fabric made me ponder long and hard.

 

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