Tag Archives: Suzanne Hinshaw shadow embroidery

Satisfaction~Sewing for Boys

Alasair's Easter outfit, under construction

Alastair’s Easter outfit, under construction

 

Anyone can go to Strasburg Children www.strasburgchildren.com  and buy gorgeous heirloom clothing.  Their collection of smocked and heirloom sewn apparel for little ones is unrivaled.  But even in Strasburg’s oasis of classic beauty in the world wide desert of classic children’s clothing , the selections for girls far outnumber those for boys.  That’s a realistic reflection of the market.

I could buy their lovely outfits for my two grandsons and they would look so classically handsome.  But that would not satisfy my urge to create unique garments just for them. I want to do it myself.  I want to bring life to my personal, unique vision of beautiful children’s clothing for my unique and beautiful grandchildren.  And I don’t recall ever seeing train duds in the Strasburg catalogue.

So I sew.  The satisfaction of sewing for the boys is even greater than sewing for granddaughter Laurel. The challenge to design classic attire for little guys is greater, given the constraints of practicality, comfort and local standards of acceptability.

 

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shadow work by embroidery machine design from Suzanne Hinshaw’s Teddies and Toys

 

  For Easter, once again I am coordinating outfits for all three grandchildren- almost 7 year old Laurel, 5 1/2 year old Robert Charles, and just 2 year old Alastair.  This year, the only unifying component is the color blue.

Laurel’s dress and petticoat are standard heirloom, Swiss batiste, heirloom laces, embroidery.  To look presentable, it requires starch, my beloved 1946 Betty Crocker football iron (would you like to hear about it?),  a puff iron, a ham, and about 20 minutes on the ironing board.   Continue reading

Machine Shadow Embroidery~ Baby Pillow

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This sweet little baby pillow was a joy to stitch and makes such a pretty and practical baby gift.  With its shadow embroidery,  featherstitching and Madeira applique hem,  it looks delicate and delightful.

Made of good quality domestic cotton batiste, it needs no lace or trim to complete its tender look.

In my humble opinion, shadow embroidery is one of the prettiest embellishments that can be added to a project.  For babies, children, ladies or linens, its delicacy is stunning.  Much as I have always enjoyed doing it by hand, I was absolutely enthralled when my friend Suzanne Hinshaw developed her techniques for achieving the identical look with machine embroidery.

 

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The technique is so simple that it’s hard to go wrong.  You simply hoop up a very sturdy water soluble stabilizer with no fabric and then stitch the portion of the design that, when done by hand, would have been on the back of the fabric.  Think of it as the fill pattern.

Then, after placing strips of double sided tape around the embroidered design, you press sheer to semi-sheer fabric to the stabilizer such as batiste or even light weight linen.  Of course, you would have marked where you want the design to be so you can position the design perfectly.   And Suzanne’s instructions make it clear just when the fabric is placed on the stabilizer.  In fact, all of her directions are very clear.

The next step is to stitch on the fabric.  The design is sized such that the underlay portion of the design which is stitched only on the stabilizer is just ever so slightly larger than the outlining stitches that are worked on the fabric itself.  The top stitches catch the underlay stitches which create the shadow effect.

Finally, you remove the piece from the hoop and gently peel the stabilizer away from the linen where the double sided tape has held it in place.  Cut away as much of the remaining water soluble stabilizer away as possible.  Then immerse the piece in water and let the stabilizer dissolve away.  When all signs of stabilizer are gone, let it dry and then press.

When it is finished, you will have shadow embroidery so credible that no one would even think to examine the back side.  And if they did, they would be hard pressed to recognize the slight difference in the look.

In subsequent posts, I will have more shadow embroidery, some by hand and more by machine using Suzanne’s gorgeous designs.  I might even persuade her to make her designs available again.