Sewing at the Beach 2011

This is SO MUCH FUN!!!!   I just wish you all could be here.  We are having a fabulous time Sewing at the Beach.   

It is freezing cold, rainy and windy, but that hasn’t dampened anyone’s  spirits.  The ladies are all just delightful, my classes have all gone very well and the vendors have some incredible things for sale.  I’ve caught up with old friends and made new ones, all who are as passionate about sewing as you and I.

all neutral kit

 

Tuesday was the lace crazy patch class and each square was beautiful, unique and interesting.  Before class, I was worried that the students might not appreciate the elderly laces, but the worry was unfounded. Without exception, the ladies looked past the few age spots on the laces and saw instead the needlework and laces used by our ancestors.  

Each student got a two-part kit, the first with neutral laces, embroideries and trims along with cotton batting, pima cotton backing and a batiste top to which to laces were attached.  The second kit included more laces, but some kits had a color theme and others consisted of more monotone pieces.    Continue reading

American Girls Addy Nightie

Addy all

Here I am, so busy I can hardly find time to comb my hair. Meanwhile, granddaughter Laurel has been waiting somewhat patiently for the smocked nightgown I’ve started for her Molly doll. Finishing this nightie has been an urgent request of Laurel’s because, she tells me, Molly has to sleep in her CLOTHES, Nana! Outrageous, I know. If there were a DPS (Doll Protective Services) agency, Laurel would be panicked.

But yesterday I came across a stash of doll clothes I made many years ago and, whoopee! they fit the American Girls dolls! They were projects for doll schools that Mildred Turner and I organized and taught around the country some years ago. In these schools, students sewed a wardrobe that Mildred and I had designed for 20 porcelain dolls. This, I think, was the nightdress for Melanie, our Gone With the Wind character doll for the Atlanta school. What fun we had at those schools.

Addysmocking

At any rate, the bias bound neck is a little snug and the gown touches the floor on the 18″ American Girls dolls, but Addy is not complaining.

In order to draft an American Girls bishop pattern I had borrowed Addy from my godchild, Caitlin, for whom I bought this doll 16 years ago. Her 2 1/2 year old daughter Alysha, has been dragging Addy around the house for more than a year now. Continue reading

More Lacy Crazy Patch

 

Each cherub is 3" tall.

While putting away the remaining antique textiles that were pulled out for my lacy crazy patch class kits for Sewing at the Beach, I came across a few more that I would like to share with you.  I’ve never been to a museum showing of  antique laces and would love to find such an exhibit.  But for now I certainly enjoy strolling through  the “gallery” of my own pieces.  I hope you will enjoy the stroll as well. 

These all missed the “cut” and are not included in any kits.  I just couldn’t bring myself to dice them up into small pieces.What I will do with each piece is undecided.  But I have big ideas for some of my forgotten treasures. Continue reading

Lacy Crazy Patch

Antique lace and embroideries are my favorite things in the whole world, after grandchildren and chocolate.  I love the fine workmanship, the intricacy of patterns, the elegant combinations of laces and embroidery.

 

This is part of a 90" petticoat hemline. Surely it must have been allowed to peek out from under a skirt. This is an exquisite trim, further embellished with 6 tiny tucks above the edge.

Actually, I love everything about them.   So this lacy sort of crazy patch quilting is a natural outlet for my appreciation and use of the materials.

An earlier post addressed the quilt shown at the left,   In the Pink, so I won’t go into details about it.  But since one of the classes I will be teaching at Sewing at the Beach, in Myrtle Beach, SC, is titled Lace Crazy Patch, I wanted to share with you photos of some of the lovely textiles that will be included in the student kits.

Today’s laces are beautiful, no doubt.  But I think back to comments made some time ago by Joyce Oakley, who at that time had been vice president of Capitol Imports for several years.  She explained that the number of background patterns in a lace contribute mightily to the cost.  In today’s market, the lace becomes so expensive that it is almost impossible to generate enough sales to offset the cost of making the elaborate laces of yesteryear.  Continue reading

Molly’s Novelty Bishop Dress

Laurel is dancing on the ceiling with excitement over her new American Girls doll clothes.  I was pretty excited myself when I discovered  that a packed-away treasure trove of samples would fit Laurel’s doll Molly.  These were all made for the doll schools Mildred Turner and I did around the country.

The dolls for those events were 20″ porcelain.  Styles were shorter then, so the 2″ difference in the dolls’ height is to 18″ Molly’s advantage now. I would have enjoyed making these garments even more if I had known that someday I would have this precious granddaughter to share them with.

I’ve always been a big fan of the bishop style.  The ease of construction, the comfort for a child, the versatility of the pattern–all these features appeal to me.  This dress is what I call a novelty bishop.  About a hundred years ago, at the first SAGA regional convention in Spartanburg, SC, I took a pleater class from Connie Harbor.  She called anything that was not a standard yoke dress or bishop, a novelty, requiring special pleating.   Hence, the name.

There are earlier posts on this technique which substitutes a solid fabric for the smocked portion of a print bishop dress.  Smocking on prints can be tricky and on this classic Liberty of London tanna lawn print it would be even more so.  Continue reading

Zig Zag Bonnet II

bonnet stand

 

Another class project for Sewing at the Beach is finished along with the kits and handouts. This Swiss organdy zig zag bonnet is a summer version of the Swiss flannel bonnet featured in an earlier post. Appearing in Creative Needle magazine many years ago, the 1920’s pattern has always intrigued me.  That recreation was made of a single layer of Swiss batiste.

Working with the organdy was such a pleasure.  Having modified the pattern to include a lining, I was pleased to see  the delicate lawn print peeking through the organdy.  It is much more visible than it is through the Swiss flannel.  Additionally, the organdy required no starch before hemstitching.  This is a bonus in a classroom situation.

 

lining fold back

Basically, the pattern consists of a single piece of batiste 15″ X 9″ with deep zig zags along the front and back. This measurement allows a little excess around the edges for hemstitching.

I was not surprised at how difficult it was to trace the pattern onto the organdy.  It would have taken too much time in class, so I used a technique that has worked on other projects that require tracing.

First, I taped the paper pattern to the cutting board.  Then, a sheet of quilting template plastic was placed over that and also taped to the cutting board.  Next, several lengths of double sided tape (my absolute favorite, must-have non-sewing notion) were placed around the perimeter of the pattern and through the center.  Finally, the organdy was pressed against the tape and smoothed flat.

Not only does this prevent shifting of shifty fabric, but it also prevents the possibility of transferring some of the ink from the pattern onto the fabric when the marking pen traces over it.  And it is so much more accurate than tracing over unruly fabric.

 

If you would like this wide V floral machine embroidery design, post your request as a comment below.

If you would like this wide V floral machine embroidery design, post your request as a comment below.

The machine embroidery within the front points is from Fil Tire’ and Fancywork Combinations collection.  Lining is joined to the organdy with spray adhesive up to the brim fold line.

Machine made entredeux outlines the perimeter and slightly gathered English lace edging is butted up to it.  Lace edging is joined all around.

The embroidered points are folded back to serve as a brim and the back zig zags are tacked together. Ribbons can be attached quite simply at the sides.   Machine embroidered lace rosettes to cover the ribbon stitching takes a little more time but I was pleased with the results.

 

bonnet back

Five inches of 3/4″ edging was machine zig zagged together.  By pulling the gathering thread from both ends, I had more than 2″ of sturdy header thread to knot off, holding the rosette’s gathers.  Still, there is a small hole in the center.

Water soluble stabilizer was hooped in my smallest embroidery frame.  With spray adhesive, a scrap of white lace was placed against the rosette, over the hole.  Then, with another application of spray adhesive, the lace rosette was placed on the stabilizer.  The carefully selected design was sized to reach beyond the little hole in the center of the rosette.

I love baby bonnets. What is your favorite bonnet pattern?

 

 

One Well-Spent Dollar

the honest-to-goodness Snow White with 6 year old Laurel, Snow White Jr.

This Disney Snow White costume/dress has more lives than a lucky cat.  It just keeps coming back!  Laurel’s homeschool group just spent the day at  Epcot and her mother sent this picture of Laurel wearing her favorite princess dress with Snow White Herself.

3 year old Snow White, aka Laurel Cade, Greg Wiggle, aka Robert Charles, and Robert’s constant companion moose, aka Moosie

The dress has a long history.  And just when I think it has finally seen its last days, it rises like the phoenix to be born again. Continue reading

Kids Sew Jumpers

6 year-old Kennedy hard at work in her Mimi’s sweat shop

Few activities delight a sewing Nana more than sewing with a grandchild.  Of course, we encourage this interest in all of our grandchildren, but some take to it like the proverbial duck to water.

Six year old Kennedy is one of those ducks.  Not only does her mother sew fabulous things for  her, but her grandmother, Judy Day, is an extremely accomplished “sewist” who sews almost around the clock for her three grandchildren.  Kennedy has reaped the benefits of matriarchal stitchers and observed that it is fun.

The little Snow Princess with her doll–doesn’t she look proud?

This summer, she and her cousin Courtney spent time with their grandparents and loved working  in the sewing room.  The girls made matching sundresses and were thrilled with the results.   ( The proud six-year old cousins will be featured with their sundresses in a later post.)

Recently, Kennedy spent a week with  “Mimi” and “Papa” and was more than eager to tackle another project or two.

Careful planning and extensive preparations are critical when sewing with children.  Having years of experience teaching sewing classes,  Judy knew how to guarantee her little granddaughter’s success.

Her choice of materials and pattern were suitable for Kennedy’s sewing skills. Polar fleece is a forgiving fabric and the jumper pattern was the quick and easy Lucy from Children’s Corner.

For American Girls doll Rebecca Judy drafted a similar style using a bodice pattern from Martha’s Doll Dressing book.  It features patterns for dolls 13″ -19″.  Continue reading

Betty’s Embroidered Buttons

Bettysbuttonsvariety

These buttons are just sooooo sooooo neat!   When my friend Betty Ludwig (see her Shopping Girls jacket a few posts ago) told me about the button machines from Hope Yoder and how much she loved hers, I was intrigued.  Basically, these buttons covered with machine embroidery.

So why do you need a machine?  People have been covering buttons for a very long time, with nothing more than a package from the fabric department.  You don’t need a machine, if you are simply covering a button with fabric.

 

bettysbuttons2cross

 

But if you want to feature a motif in the fabric, or more currently, a machine embroidered design, then you’ve got a whole different set of challenges.

The difficulty is centering.  And it is easy peasy with Hope’s machine and her miniature embroideries designed specifically for buttons.

But what do you do with these embroidered buttons, I asked Betty.  “EVERYTHING!!!!” was her answer.  At Betty’s insistence, I watched the video on Hope’s web site  and my excitement built.  These buttons can be used on anything for anybody!   From key chain fobs to book marks to….well, just scroll through these photos.  Continue reading

Pyramid Bag for Jr. Archeologist

pyramid bag with miniature sphinx embroidery

pyramid bag with miniature sphinx embroidery

Grandson Robert, 5, declares that he wants to be an archeologist when he grows up.  Due to that interest, he absolutely loves the Playmobil pyramid he got for Christmas.  His mother, however, has bemoaned the fact that it has more pieces/parts than the Eiffel Tower.  Each panel can be removed to reveal hidden chambers, staircases, trap doors,  tombs, servants, and more.

PyramidPlaymobilBRITE

How well I remember helping Robert’s father, our son Ryan, search the house for the many pieces to his Fisher-Price farm and two story garage.  With that memory and the ease of making a standard teepee bag, I stitched this up in a hurry for my precious grandson.  So this bag, made from the basic teepee bag pattern,  now holds the sarcophagus and treasures of his pyramid.

Actually, I had made ponchos for Laurel and her doll and needed something for Robert.  It was late when I finished the ponchos and I wanted to shut down my sewing room and go to bed.  But Nana duty called. I needed to make something in a hurry for Robert, so the bag came to mind at once. Of course, it’s pyramid shape seemed especially appropriate for my sweet Robert. Continue reading